Sistava

Social and Marketing Visuals

AI Graphic Design

On-brand assets for every channel, without the design queue

Social channels consume visuals faster than any small business can produce them. The realistic options have been posting text because the graphic never got made, reusing the same template until it goes stale, or paying per asset for work that has a shelf life of a day.,Marisol produces the set. Post graphics, story and reel frames, carousel sequences, quote cards, announcement graphics, and profile assets, sized correctly per platform and drawn from your brand specifications.,Because the rules come from your identity kit rather than from her taste, the fortieth asset looks like it belongs with the first, which is the thing that makes a feed read as a brand.

Benefits

How It Works

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At a Glance

Per platform
Dimensions and safe areas
Sets
Produced at once, not one by one
Real size
Where legibility is judged
On brand
From specifications, not taste

One Image Cropped Three Ways Is Not Three Assets

The reflex when producing for several placements is to design once and crop, and it fails in a specific and visible manner. A composition balanced for a square becomes lopsided in a vertical frame. Text positioned comfortably in a landscape banner ends up behind the interface elements of a story. The logo placed in a corner disappears in the crop. Each placement has its own proportions and its own safe areas, and designing to them takes marginally longer than cropping while producing assets that do not look slightly wrong everywhere except where they started.

Consistency Is What Makes a Feed Read as a Brand

Nobody encounters your social assets one at a time in isolation. They see a feed, a profile grid, a sequence of stories, and what registers is the pattern rather than any single image. That is why a set of individually attractive posts made by different people at different times still reads as amateur: the type changes, the colour temperature shifts, the logo moves. Consistency across the set is doing more work than the quality of any one asset, and it is also the thing that is hardest to maintain without written rules.

Design for the Thumb, Not the Canvas

Social assets are designed on a large screen at comfortable magnification and consumed on a phone at speed, in poor light, one thumb-flick from being gone. Almost every legibility failure traces to that gap. Type sized generously on the canvas is unreadable at real scale, subtle contrast disappears entirely, and detail that rewards close attention is simply never seen. Judging every asset at the size it will actually appear is a small discipline that removes most of the problem, and it changes the design decisions rather than just catching mistakes.

FAQ

Which platforms and formats are covered?

The formats a small business actually posts: square and portrait feed posts, vertical stories and reel frames, carousels, landscape banners, and profile and cover images. Platform dimensions change, so sizing follows the current specification rather than a fixed list written once.

Can she work from our existing templates?

Yes, and often that is the right starting point. If you have templates that work, she produces within them so nothing about the look changes. If they are inconsistent, she says so and proposes what to standardize rather than quietly redesigning around them.

What about text on the image?

Composed as part of the design rather than laid on afterwards, with type from your scale and placement inside the platform safe areas so nothing is covered by interface elements. Legibility is checked at feed size, which is where most overlaid text actually fails.

How does this connect to the content plan?

Marisol produces the visuals for what marketing is planning to publish, so assets exist before the post is due rather than being scrambled for on the day. See the marketing use cases for the planning side.